ATI TEAS 7
TEAS Reading Practice Questions
1. Which of the following words does the author use to express a derogatory tone?
- A. Predictable
- B. Noisy
- C. Delicate
- D. Roar
Correct answer: A
Rationale: The correct answer is 'Predictable' because the author uses it in a negative context to imply something as uninspired or lacking creativity. In the passage, the author mentions that following rules can make writing difficult, contrasting writers who adhere to rules with those who break them to succeed. 'Predictable' reflects a derogatory tone as it suggests monotony or lack of originality. Choices B, C, and D do not convey a derogatory tone in the context of the passage. 'Noisy,' 'Delicate,' and 'Roar' are neutral or descriptive words that do not carry a negative connotation.
2. Which option best exemplifies an author's use of alliteration and personification?
- A. Her mood hung about her like a weary cape, very dull from wear.
- B. It shuddered, swayed, shook, and screamed its way into dust under hot flames.
- C. The house was a starch sentry, warning visitors away.
- D. At its shoreline, visitors swore they heard the siren call of the cliffs above.
Correct answer: B
Rationale: Choice B best exemplifies an author's use of alliteration and personification. The sentence 'It shuddered, swayed, shook, and screamed its way into dust under hot flames' personifies an inanimate object (it) by attributing human actions to it, combining alliteration with the repeated 's' sounds. Choices A, C, and D do not contain both alliteration and personification. Choice A mainly focuses on simile and lacks alliteration. Choice C features personification but lacks alliteration. Choice D includes personification but lacks alliteration as well.
3. What is the purpose of this passage?
- A. To describe the sun-fish's reproductive habits.
- B. To explain the ecosystem of the sun-fish.
- C. To persuade readers to protect aquatic ecosystems.
- D. To discuss the mating habits of sun-fish.
Correct answer: A
Rationale: The correct answer is A. The passage describes the reproductive habits of the sun-fish, focusing on how the mother sun-fish provides and guards her spawn until they are ready to take care of themselves. Choice B is incorrect as the passage does not delve into the broader ecosystem of the sun-fish. Choice C is incorrect as there is no persuasive element in the passage about protecting aquatic ecosystems. Choice D is incorrect as the passage does not discuss the mating habits of sun-fish but rather the care provided by the mother sun-fish.
4. According to the food chain diagram, which of the following animals has no natural predators?
- A. Vulture
- B. Cobra
- C. Mongoose
- D. Aardvark
Correct answer: B
Rationale: The correct answer is B, Cobra. In the food chain diagram, cobras are often considered apex predators, meaning they are at the top of the food chain and do not have natural predators. Vultures (choice A), although scavengers, may face competition but not direct predators. Mongooses (choice C) are known for preying on snakes, including cobras, and aardvarks (choice D) are part of the food chain and have predators like lions and hyenas.
5. What does the 'nature of the fairy tale genre' refer to in Passage 2?
- A. The representation of basic human experience
- B. Good characters being pure good and bad characters being pure evil
- C. Different cultures coming up with similar versions of the same story
- D. Commoners becoming royalty
Correct answer: A
Rationale: The 'nature of the fairy tale genre' in Passage 2 refers to the representation of basic human experiences. The passage emphasizes that fairy tales embody fundamental human desires and fears, portraying characters as either pure good or pure evil and celebrating themes like romance and transformation. This representation of basic human experiences makes fairy tales relatable and universal, resonating with audiences across various cultures and time periods. Choices B, C, and D are incorrect because while they may be elements found in fairy tales, they do not capture the essence of the 'nature of the fairy tale genre' as being rooted in the representation of fundamental human experiences.
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